Since I have always favored Jacksons for my super Strat needs, I had never even considered one of these mid-late ’80s Guilds. Let’s see how it faired after I tore it apart and gave it the review treatment.
The S-60 is the entry-level into the Guild electric guitars of the era and if you’ve read my other reviews you’ll know that I have a thing for high-end Guilds, but as you’ll read I have a soft spot for these guitars as well. Let’s take a look and see if this 1977 Guild S-60 holds up to my fond memories.
While this guitar is very similar to the 2000 Starfire IV mentioned above, it is also different in some ways that may not be obvious at first glance. Is it good enough to replace one of my favorite Guilds? Let’s find out. (more…)
A Guild S300A-D was my only guitar for over 20 years and as a result I have a soft spot for these odd-looking beasts, so when the opportunity presented itself for me to score a 1981 Guild S300, I jumped on it. I needed to own this 1981 S300 both because I was without an S300 at the time and because I wanted to write about one of my favorite guitars which I could only do properly with one in hand. As luck would have it, the one that landed in my lap happened to be in almost like-new condition. Let’s take a look. (more…)
The Guild S-275 is a bit different than most of the Guilds I own while also being a typical Guild. It’s a very interesting guitar in that it seems to be designed to appeal to both Strat and Les Paul buyers in the hopes of being the best of both worlds. Does it measure up? Let’s see how it fares as I put it through my normal evaluation routine. (more…)
This guitar ruined me for other guitars in a number or ways and though it is almost perfect for me in every way, it is not without its faults. Naturally I will outline whatever faults I feel this guitar has in excruciating detail right along side my gushing praise for all of the guitar’s many merits. As someone who’s owned far too many Guilds, what could possibly make this one so great? (more…)
In order to try and impart a bit of logic to the proceedings, I employed something called a decision matrix. This is a tool I learned from a project manager many years ago and I use it to make decisions for purchases all the time. For example, if I’m going to buy a car, I will evaluate individual aspects of each car (stereo, comfort, power, etc.) with a numeric value. I will then total up each car’s scores and the winner should be the logical choice. I usually add a weight to the scores and then multiply each score by the appropriate weight as well. In other words, if I’m really concerned with the power, I’ll give that a weight of 5 so a raw score of 3 would result in a weighted score of 15. I then compare the raw and weighted scores to see if they agree.
In the case of guitars, a lot of what matters is either subjective (tone), or very personal (neck feel), so bear in mind that these numbers are for my tastes and you may very well score them differently. Still, it’s a fun exercise, so let’s see if the math matches with my gut feelings. (more…)
Is this guitar everything I’ve ever wanted in a full-sized Rockabilly Jazz box? Let’s find out. (more…)